Rachel lives with her mother on The Property. The good thing about living there is that it’s far from the city where the oppressive government is most active. The bad thing, at least to most people, is that it’s close to the Line—an uncrossable section of the National Border Defense System, an invisible barrier that encloses the entire country.

She can see the Line from the greenhouse windows, but she is forbidden to go near it. Across the Line is Away, and though Rachel has heard many whispers about the dangers there, she’s never really believed the stories. Until the day she hears a recording that could only have come from across the Line.

It’s a voice asking for help.

Who sent the message? What is her mother hiding? And to what lengths will Rachel go in order to do what she thinks is right?

The Line took me ‘away’ in one page-turning gulp. Hall’s writing is seamless, smooth and compelling—I can’t wait for the next installment. This is a new author to keep an eye on.”

Mary E. Pearson
The Adoration of Jenna Fox

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When Rachel crosses The Line she leaves behind everything she has ever known and enters a strange new world: Away. Life there is hard, and survival is never guaranteed. Bizarre, wild creatures roam the forests, and people—the same people she’s always been told are dangerous and untrustworthy—have gifts she’s never thought possible.

Rachel has to rely on Pathik, the boy she risked her own life for, to help her navigate the strange customs. He’s exasperating, but she thinks she can trust him, and she hopes he’ll lead her to answers about her father. As it turns out, he leads her to more than she bargained for, and Rachel finds herself on an adventure filled with life and death choices, dark conspiracies, and unthinkable sacrifice.

In a place with no technology, no electricity, no medicine, and very little hope, Rachel discovers that only one thing makes life worth living. If only it’s not too late.

This worthy sequel to Hall’s The Line (2010) continues to build a dystopian world rich with suspense and moral choices . . . her dystopian world comes across vividly, and her characters stand out as varied and real.”

Kirkus
July, 2011

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